It's been a long time since I made a fully, all sides, mitered box.
As miters go, It is the ugliest box I've ever made. I mean "butt ugly"! Okay...okay...maybe not that bad but challenging!
I think many of us may take mitering for granted and sort of dismiss making a whole box this way. To tell you the truth, I don't know why I did and then to add insult to injury I decided to finish the surface with the Yakisugi technique or "Shou Sugi Ban" as we call it in North America).
MAKING THE MITERED BOX
I started by cutting all sides on my tablesaw. Yes!... my table saw! As hand tool crazy as I am, I couldn't imagine doing all these miters and bevels by hand (hereafter just called "miters"). My blood pressure is high enough. And then I still could not get the miters as perfect as I wanted all around. Even using my tablesaw! LOL.
Then it dawned on me... I'm going to torch the thing so perfect miters may not matter! It is highly likely there will be some separation from burning and minor gaps on the corners. But it will add to the rustic look I was after with this technique. We'll see.
Next... I glued it all up. I'm usually very strategic and meticulous gluing up. However by the time I completed mitering, I didn’t mind being messy and just slathered it on.
Here it is ..... "Plain Jane" in Fig 1.
BURNING THE BOX
So why am I doing this? I dunno. I like challenges or maybe I'm just "bonkers"!
Next, I started the "Shou Sugi Ban" process and torched all six sides, edges, and corners. I wasn't after a deep "alligator skin" burn but rather an even medium surface burn. Some alligator skin char was acceptable. The look I was after was the "Kimo - Tora" as some call it. This is a good site to see the different ones. See Fig. 2 and 3.
WASHING THE BOX
With the grain, I then brushed away as much of the dry blackened ash surface as I could on all six sides.
Next I washed all sides with the hose and brush cleaning away the dirty surface. See Fig 4 and 5.
APPLYING THE STAIN
After it completely dried out, I decided I wanted to give it a yellow dye stain followed by shellac. I went everywhere looking for a small size can like 236ml. Do you think I could find it?
And on top of this the ones I did find were like $15 -18. But no yellow or orange. Man 'o man!... things have really gotten expensive and limited.
The heck with it!! Anyways I made my own using Tumeric. One coat on all sides was all I needed. However Tumeric is a fugitive stain. Though you wouldn't agree if you got some on your clothes or the rug not to mention your hands. LOL.
See Fig 6 and 7
FINISHING WITH SHELLAC
To prevent future fading it was sealed with four coats of blonde shellac. First coat was a one pound cut. Second, third, and fourth coats were a two pound cut. Then brass hinges and clasp was added.
Here's the results:
See Fig 7, 8, and 9
Hope you all enjoyed this!! Feel free to comment, ask questions and thumbs up if you like it!
Hmmm, reminds me why I always seem to choose a recessed panel for the lids and bottoms 😀
Did you stage your miter cuts so all the parts that must be the same length are cut at the same time? PITA for frames, PITA^3 for a cube! Next challenge, spline all those miters! 🤠
Otherwise, good results IMO. The finish seals the deal.
SplinterGroup .... Did you stage your miter cuts so all the parts that must be the same length are cut at the same time? ..... spline all those miters! 🤠
Yes... all miters stages and cut at same time. I could have done hidden splines but didn’t. Didn't really want to do outside splines because burning would likely expose them. I could come back and do vertical dowels but at this point ...nah!
Nice looking box with the grain running around the sides, and it's very pronounced with the finishing technique. Looks pretty good, nowhere near butt ugly.
Oldtool Nice looking box with the grain running around the sides, and it's very pronounced with the finishing technique. Looks pretty good, nowhere near butt ugly.
Thanks Oldtool! It was a very hot day when I made it and doing miters all around was a bit of a challenge. Thus the comment of wee frustration .... but nonetheless it was fun and I'm happy with it.
RWE... I have some old pine. Don't get much Ash around here. Would 40-50 year old pine work? Any wood species that are better for this technique?
Thanks for sharing. Nice work.
RWE ..... Old Pine is best! Wish I had 40 - 50 year old Pine. Grain direction is important. Quarter sawn would be best but any will do. Look for dramatic grain... it will be great. Spruce, Cypress, Fir, Cedar are all good. Softwoods are much better to use. Experiment. Some hardwoods are good. I've had luck with White Oak and Spalted Maple. Sample and experiment first though.
The description is as good as the box. Never tried that type of finish, the burning. Probably set my shop ablaze. Thanks for posting it. I do like the box.
i used red oak and it gave a nice grain pattern. after the heavy burn with my plumbers torch i used steel wool and it really enhanced the grain. id love to try a light burn with some stains. im not big into this kind of stuff but i can see using it for some projects.
working with my hands is a joy,it gives me a sense of fulfillment,somthing so many seek and so few find.-SAM MALOOF.